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"Comprehensive and intelligently organized. . . .Jazz aficionados . . . should be grateful to have so much good writing on the subject in one place."-- The New York Times Book Review

"Alluring. . . . Capture[s] much of the breadth of the music, as well as the passionate debates it has stirred, more vividly than any other jazz anthology to date."-- Chicago Tribune

No musical idiom has inspired more fine writing than jazz, and nowhere has that writing been presented with greater comprehensiveness and taste than in this glorious collection. In Reading Jazz , editor Robert Gottlieb combs through eighty years of autobiography, reportage, and criticism by the music's greatest players, commentators, and fans to create what is at once a monumental tapestry of jazz history and testimony to the elegance, vigor, and variety of jazz writing.

Here are Jelly Roll Morton, recalling the whorehouse piano players of New Orleans in 1902; Whitney Balliett, profiling clarinetist Pee Wee Russell; poet Philip Larkin, with an eloquently dyspeptic jeremiad against bop. Here, too, are the voices of Billie Holiday and Charles Mingus, Albert Murray and Leonard Bernstein, Stanley Crouch and LeRoi Jones, reminiscing, analyzing, celebrating, and settling scores. For anyone who loves the music--or the music of great prose--Reading Jazz is indispensable.

"The ideal gift for jazzniks and boppers everywhere. . . . It gathers the best and most varied jazz writing of more than a century."-- Sunday Times (London)

IntroduCtion

　PART Ⅰ: AUTOBIOGRAPHY

　Jelly Roll Morton

　Sidney Bechet

　Louis ArmstronE

　Willie "The Lion" Smith

　Duke Ellington

　Sonnv Greer

　Leora Henderson

　Art Hodes

　Buck Clayton

　Hoagy Carmichael

　Eddie Condon

　Marv Lou Williams

　Cab Calloway

　Lionel Hampton

　John Hammond

　Count Basie

　Billie Holidav

　Mezz Mezzrow

　Artie Shaw

　Charlie Barnet

　Max Gordon

　Anita O'Day

　Milt Hinton

　Art Blakey

　Milt Gabler

　……

PART 2:REPORTAGE

PART 3:CRITICISM

Permissions Acknowledgments

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编辑推荐

　　"Comprehensive and intelligently organized. . . . Jazz

aficionados . . . should be grateful to have so much good writing

on the subject in one place."--"The New York Times Book Review"

"Alluring. . . . Capture s] much of the breadth of the music, as

well as the passionate debates it has stirred, more vividly than

any other jazz anthology to date."--"Chicago Tribune" No musical

idiom has inspired more fine writing than jazz, and nowhere has

that writing been presented with greater comprehensiveness and

taste than in this glorious collection. In Reading Jazz, editor

Robert Gottlieb combs through eighty years of autobiography,

reportage, and criticism by the music's greatest players,

commentators, and fans to create what is at once a monumental

tapestry of jazz history and testimony to the elegance, vigor, and

variety of jazz writing. Here are Jelly Roll Morton, recalling the

whorehouse piano players of New Orleans in 1902; Whitney Balliett,

profiling clarinetist Pee Wee Russell; poet Philip Larkin, with an

eloquently dyspeptic jeremiad against bop. Here, too, are the

voices of Billie Holiday and Charles Mingus, Albert Murray and

Leonard Bernstein, Stanley Crouch and LeRoi Jones, reminiscing,

analyzing, celebrating, and settling scores. For anyone who loves

the music--or the music of great prose--Reading Jazz is

indispensable. "The ideal gift for jazzniks and boppers everywhere.

. . . It gathers the best and most varied jazz writing of more than

a century."--"Sunday Times" (London)

书籍介绍

"Comprehensive and intelligently organized. . . .Jazz aficionados . . . should be grateful to have so much good writing on the subject in one place."-- The New York Times Book Review

"Alluring. . . . Capture[s] much of the breadth of the music, as well as the passionate debates it has stirred, more vividly than any other jazz anthology to date."-- Chicago Tribune

No musical idiom has inspired more fine writing than jazz, and nowhere has that writing been presented with greater comprehensiveness and taste than in this glorious collection. In Reading Jazz , editor Robert Gottlieb combs through eighty years of autobiography, reportage, and criticism by the music's greatest players, commentators, and fans to create what is at once a monumental tapestry of jazz history and testimony to the elegance, vigor, and variety of jazz writing.

Here are Jelly Roll Morton, recalling the whorehouse piano players of New Orleans in 1902; Whitney Balliett, profiling clarinetist Pee Wee Russell; poet Philip Larkin, with an eloquently dyspeptic jeremiad against bop. Here, too, are the voices of Billie Holiday and Charles Mingus, Albert Murray and Leonard Bernstein, Stanley Crouch and LeRoi Jones, reminiscing, analyzing, celebrating, and settling scores. For anyone who loves the music--or the music of great prose--Reading Jazz is indispensable.

"The ideal gift for jazzniks and boppers everywhere. . . . It gathers the best and most varied jazz writing of more than a century."-- Sunday Times (London)